Boris Trbic writes on Jindabyne, an adaptation of
the Raymond Carver short story So Much Water, So Close to Home. The film deals
with the discovery of an unknown, brutally murdered black woman in a river.
Trbic's article explores the film by looking at pastoral transcendence and male
bonding; the parallel worlds of women and men; the sketchy, unfinished portraits
in the film; the Indigenous family as represented in the film; and the
performances.